In this session, we will be bringing you the updated answers for CommonLit The Landlady topic.
Table of Contents
The Landlady CommonLit Answer Key
Let us first read The Guilty Party passage and will answer at the end.
Note: Feel free to skip reading the below passage if you are here to get just answers. Both the questions and answers are shared below.
By Roald Dahl (1916-1990). He was a British novelist, short story writer, and poet. Dahl’s stories are known for
having darkly comic or unexpected endings.
As you read, take notes on the metaphor and larger message presented in the text.
Billy Weaver had traveled down from London on the slow afternoon train, with a change at Swindon on the way, and by the time he got to Bath it was about nine o’clock in the evening and the moon was coming up out of a clear starry sky over the houses opposite the station entrance. But the air was deadly cold and the wind was like a flat blade of ice on his cheeks.
“Excuse me,” he said, “but is there a fairly cheap hotel not too far away from here?”
“Try The Bell and Dragon,” the porter answered, pointing down the road. “They might take you in. It’s about a quarter of a mile along on the other side.”
Billy thanked him and picked up his suitcase and set out to walk the quarter-mile to The Bell and Dragon. He had never been to Bath before. He didn’t know anyone who lived there. But Mr. Greenslade at the Head Office in London had told him it was a splendid city. “Find your own lodgings,” he had said, “and then go along and report to the Branch Manager as soon as you’ve got yourself settled.”
Billy was seventeen years old. He was wearing a new navy-blue overcoat, a new brown trilby hat, and a new brown suit, and he was feeling fine. He walked briskly down the street. He was trying to do everything briskly these days. Briskness, he had decided, was the one common characteristic of all successful businessmen. The big shots up at Head Office were absolutely fantastically brisk all the time. They were amazing.
There were no shops on this wide street that he was walking along, only a line of tall houses on each side, all them identical. They had porches and pillars and four or five steps going up to their front doors, and it was obvious that once upon a time they had been very swanky residences. But now, even in the darkness, he could see that the paint was peeling from the woodwork on their doors and windows, and that the handsome white façades were cracked and blotchy from neglect.
Suddenly, in a downstairs window that was brilliantly illuminated by a street-lamp not six yards away, Billy caught sight of a printed notice propped up against the glass in one of the upper panes. It said BED AND BREAKFAST. There was a vase of yellow chrysanthemums, tall and beautiful, standing just underneath the notice.
He stopped walking. He moved a bit closer.
Green curtains (some sort of velvety material) were hanging down on either side of the window. The chrysanthemums looked wonderful beside them. He went right up and peered through the glass into the room, and the first thing he saw was a bright fire burning in the hearth. On the carpet in front of the fire, a pretty little dachshund8 was curled up asleep with its nose tucked into its belly.
The room itself, so far as he could see in the half-darkness, was filled with pleasant furniture. There
was a baby-grand piano and a big sofa and several plump armchairs, and in one corner he spotted a large parrot in a cage. Animals were usually a good sign in a place like this, Billy told himself; and all in all, it looked to him as though it would be a pretty decent house to stay in. Certainly, it would be more comfortable than The Bell and Dragon.
On the other hand, a pub would be more congenial than a boarding house. There would be beer and darts in the evenings, and lots of people to talk to, and it would probably be a good bit cheaper, too. He had stayed a couple of nights in a pub once before and he had liked it. He had never stayed in any boarding-houses, and, to be perfectly honest, he was a tiny bit frightened of them. The name itself conjured up images of watery cabbage, rapacious11 landladies, and a powerful smell of kippers in the living room.
After dithering about like this in the cold for two or three minutes, Billy decided that he would walk on and take a look at The Bell and Dragon before making up his mind. He turned to go. And now a queer thing happened to him. He was in the act of stepping back and turning away from the window when all at once his eye was caught and held in the most peculiar manner by the small notice that was there. BED AND BREAKFAST, it said. BED AND BREAKFAST, BED AND BREAKFAST, BED AND BREAKFAST. Each word was like a large black eye staring at him through the glass, holding him, compelling him, forcing him to stay where he was and not to walk away from that house, and the next thing he knew, he was actually moving across from the window to the front door of the house, climbing
the steps that led up to it, and reaching for the bell.
He pressed the bell. Far away in a back room he heard it ringing, and then at once — it must have been at once because he hadn’t even had time to take his finger from the bell button — the door swung open and a woman was standing there.
Normally you ring the bell and you have at least a half-minute’s wait before the door opens. But this dame was like a jack-in-the-box. He pressed the bell — and out she popped! It made him jump.
She was about forty-five or fifty years old, and the moment she saw him, she gave him a warm welcoming smile.
“Please come in,” she said pleasantly. She stepped aside, holding the door wide open, and Billy found himself automatically starting forward into the house. The compulsion17 or, more accurately, the desire to follow after her into that house was extraordinarily strong.
“I saw the notice in the window,” he said, holding himself back.
“Yes, I know.”
“I was wondering about a room.”
“It’s all ready for you, my dear,” she said. She had a round pink face and very gentle blue eyes.
“I was on my way to The Bell and Dragon,” Billy told her. “But the notice in your window just happened to catch my eye.”
“My dear boy,” she said, “why don’t you come in out of the cold?”
“How much do you charge?”
“Five and sixpence a night, including breakfast.”
It was fantastically cheap. It was less than half of what he had been willing to pay.
“If that is too much,” she added, “then perhaps I can reduce it just a tiny bit. Do you desire an egg for breakfast? Eggs are expensive at the moment. It would be sixpence less without the egg.”
“Five and sixpence are fine,” he answered. “I should like very much to stay here.”
“I knew you would. Do come in.”
She seemed terribly nice. She looked exactly like the mother of one’s best school-friend welcoming one into the house to stay for the Christmas holidays. Billy took off his hat and stepped over the threshold.
“Just hang it there,” she said, “and let me help you with your coat.”
There were no other hats or coats in the hall. There were no umbrellas, no walking sticks — nothing.
“We have it all to ourselves,” she said, smiling at him over her shoulder as she led the way upstairs.
“You see, it isn’t very often I have the pleasure of taking a visitor into my little nest.”
The old girl is slightly dotty,19 Billy told himself. But at five and sixpence a night, who gives a damn about that? — “I should’ve thought you’d be simply swamped with applicants,” he said politely.
“Oh, I am, my dear, I am, of course I am. But the trouble is that I’m inclined to be just a teeny weeny bit choosy and particular — if you see what I mean.”
“But I’m always ready. Everything is always ready day and night in this house just on the off-chance that an acceptable young gentleman will come along. And it is such a pleasure, my dear, such very great pleasure when now and again I open the door and I see someone standing there who is just exactly right.” She was halfway up the stairs, and she paused with one hand on the stair-rail, turning her head and smiling down at him with pale lips. “Like you,” she added, and her blue eyes traveled slowly all the way down the length of Billy’s body, to his feet, and then up again.
On the first-floor landing, she said to him, “This floor is mine.”
They climbed up a second flight. “And this one is all yours,” she said. “Here’s your room. I do hope you’ll like it.” She took him into a small but charming front bedroom, switching on the light as she went in.
“The morning sun comes right in the window, Mr. Perkins. It is Mr. Perkins, isn’t it?”
“No,” he said. “It’s Weaver.”
“Mr. Weaver. How nice. I’ve put a water bottle between the sheets to air them out, Mr. Weaver. It’s such a comfort to have a hot water bottle in a strange bed with clean sheets, don’t you agree? And you may light the gas fire at any time if you feel chilly.”
“Thank you,” Billy said. “Thank you ever so much.” He noticed that the bedspread had been taken off the bed and that the bedclothes had been neatly turned back on one side, all ready for someone to get in.
“I’m so glad you appeared,” she said, looking earnestly21 into his face. “I was beginning to get worried.”
“That’s all right,” Billy answered brightly. “You mustn’t worry about me.” He put his suitcase on the chair and started to open it.
“And what about supper, my dear? Did you manage to get anything to eat before you came here?”
“I’m not a bit hungry, thank you,” he said. “I think I’ll just go to bed as soon as possible because tomorrow I’ve got to get up rather early and report to the office.”
“Very well, then. I’ll leave you now so that you can unpack. But before you go to bed, would you be kind enough to pop into the sitting room on the ground floor and sign the book? Everyone has to do that because it’s the law of the land, and we don’t want to go breaking any laws at this stage in the proceedings, do we?” She gave him a little wave of the hand and went quickly out of the room and closed the door.
Now, the fact that his landlady appeared to be slightly off her rocker22 didn’t worry Billy in the least. After all, she was not only harmless — there was no question about that — but she was also quite obviously a kind and generous soul. He guessed that she had probably lost a son in the war, or something like that, and had never got over it.
So a few minutes later, after unpacking his suitcase and washing his hands, he trotted downstairs to the ground floor and entered the living room. His landlady wasn’t there, but the fire was glowing in the hearth, and the little dachshund was still sleeping in front of it. The room was wonderfully warm and cozy. I’m a lucky fellow, he thought, rubbing his hands. This is a bit of all right.
He found the guest book lying open on the piano, so he took out his pen and wrote down his name and address. There were only two other entries above him on the page, and, as one always does with guest books, he started to read them. One was a Christopher Mulholland from Cardiff. The other was Gregory W. Temple from Bristol. That’s funny, he thought suddenly. Christopher Mulholland. It rings a bell. Now, where on earth had he heard that rather unusual name before?
Was he a boy at school? No. Was it one of his sister’s numerous young men, perhaps, or a friend of his father’s? No, no, it wasn’t any of those. He glanced down again at the book. Christopher Mulholland, 231 Cathedral Road, Cardiff. Gregory W. Temple, 27 Sycamore Drive, Bristol. As a matter of fact, now he came to think of it, he wasn’t at all sure that the second name didn’t have almost as much of a familiar ring about it as the first.
“Gregory Temple?” he said aloud, searching his memory. “Christopher Mulholland?…”
“Such charming boys,” a voice behind him answered, and he turned and saw his landlady sailing into the room with a large silver tea-tray in her hands. She was holding it well out in front of her, and rather high up, as though the tray were a pair of reins on a frisky horse.
“They sound somehow familiar,” he said.
“They do? How interesting.”
“I’m almost positive I’ve heard those names before somewhere. Isn’t that queer? Maybe it was in the newspapers. They weren’t famous in any way, were they? I mean famous cricketers or footballers or something like that?”
“Famous,” she said, setting the tea-tray down on the low table in front of the sofa. “Oh no, I don’t think they were famous. But they were extraordinarily handsome, both of them, I can promise you that. They were tall and young and handsome, my dear, just exactly like you.”
Once more, Billy glanced down at the book.
“Look here,” he said, noticing the dates. “This last entry is over two years old.”
“Yes, indeed. And Christopher Mulholland’s is nearly a year before that — more than three years ago.”
“Dear me,” she said, shaking her head and heaving a dainty24 little sigh. “I would never have thought it. How time does fly away from us all, doesn’t it, Mr. Wilkins?”
“It’s Weaver,” Billy said. “W-e-a-v-e-r.”
“Oh, of course, it is!” she cried, sitting down on the sofa. “How silly of me. I do apologize. In one ear and
out the other, that’s me, Mr. Weaver.”
“You know something?” Billy said. “Something that’s really quite extraordinary about all this?”
“No, dear, I don’t.”
“Well, you see — both of these names, Mulholland and Temple, I not only seem to remember each one of them separately, so to speak, but somehow or other, in some peculiar way, they both appear to be sort of connected together as well. As though they were both famous for the same sort of thing, if you see what I mean — like … like Dempsey and Tunney, for example, or Churchill and Roosevelt.”
“How amusing,” she said. “But come over here now, dear, and sit down beside me on the sofa and I’ll give you a nice cup of tea and a ginger biscuit before you go to bed.”
“You really shouldn’t bother,” Billy said. “I didn’t mean you to do anything like that.” He stood by the piano, watching her as she fussed about with the cups and saucers. He noticed that she had small, white, quickly moving hands and red fingernails.
“I’m almost positive it was in the newspapers I saw them,” Billy said. “I’ll think of it in a second. I’m sure I
There is nothing more tantalising25 than a thing like this that lingers just outside the borders of one’s memory. He hated to give up.
“Now wait a minute,” he said. “Wait just a minute. Mulholland… Christopher Mulholland… wasn’t that the name of the Eton schoolboy who was on a walking tour through the West Country, and then all of a sudden…”
“Milk?” she said. “And sugar?”
“Yes, please. And then all of a sudden…”
“Eton schoolboy?” she said. “Oh no, my dear, that can’t possibly be right because my Mr Mulholland was certainly not an Eton schoolboy when he came to me. He was a Cambridge undergraduate. Come over here now and sit next to me and warm yourself in front of this lovely fire. Come on. Your tea’s all ready for you.” She patted the empty place beside her on the sofa, and she sat there smiling at Billy and waiting for him to come over. He crossed the room slowly and sat down on the edge of the sofa. She placed his teacup on the table in front of him.
“There we are,” she said. “How nice and cozy this is, isn’t it?”
Billy started sipping his tea. She did the same. For half a minute or so, neither of them spoke. But Billy knew that she was looking at him. Her body was half-turned towards him, and he could feel her eyes resting on his face, watching him over the rim of her teacup. Now and again, he caught a whiff of a peculiar smell that seemed to emanate26 directly from her person. It was not in the least unpleasant, and it reminded him — well, he wasn’t quite sure what it reminded him of. Pickled walnuts? New leather? Or was it the corridors of a hospital?
“Mr. Mulholland was a great one for his tea,” she said at length. “Never in my life have I seen anyone drink as much tea as dear, sweet Mr Mulholland.”
“I suppose he left fairly recently,” Billy said. He was still puzzling his head about the two names.
He was positive now that he had seen them in the newspapers — in the headlines.
“Left?” she said, arching her brows. “But my dear boy, he never left. He’s still here. Mr Temple is also here. They’re on the third floor, both of them together.”
Billy set down his cup slowly on the table and stared at his landlady. She smiled back at him, and then she put out one of her white hands and patted him comfortingly on the knee. “How old are you, my dear?” she asked.
“Seventeen!” she cried. “Oh, it’s a perfect age! Mr. Mulholland was also seventeen. But I think he was a trifle shorter than you are, in fact, I’m sure he was, and his teeth weren’t quite so white. You have the most beautiful teeth, Mr. Weaver, did you know that?”
“They’re not as good as they look,” Billy said.
“They’ve got simply masses of fillings28 in them at the back.”
“Mr. Temple, of course, was a little older,” she said, ignoring his remark. “He was actually twenty-eight. And yet I never would have guessed it if he hadn’t told me, never in my whole life. There wasn’t a blemish on his body.”
“A what?” Billy said.
“His skin was just like a baby’s.”
There was a pause. Billy picked up his teacup and took another sip of his tea, then he set it down again gently in its saucer. He waited for her to say something else, but she seemed to have lapsed29 into another of her silences. He sat there staring straight ahead of him into the far corner of the room, biting his lower lip.
“That parrot,” he said at last. “You know something? It had me completely fooled when I first saw it through the window from the street. I could have sworn it was alive.”
“Alas, no longer.”
“It’s most terribly clever the way it’s been done,” he said. “It doesn’t look in the least bit dead. Who did it?”
“Of course,” she said. “And have you met my little Basil as well?” She nodded towards the dachshund curled up so comfortably in front of the fire. Billy looked at it. And suddenly, he…. [CONTINUE READING FROM MAIN SITE ITSELF]
Let us now discuss CommonLit The Landlady answers to the questions asked:
Q1. Which of the following statements best identifies a theme of the text?
Ans: Strangers can be more dangerous than they initially appear
Q2. PART A: What does the word “compelling” mean as used in paragraph 12?
Ans: to urge someone to do something
Q3. PART B: Which quote from paragraph 12 best supports the answer to Part A?
Ans: “Each word was like a large black eye staring at him through the glass”
Q4. PART A: What can the reader infer about the landlady from her conversation with Billy in the sitting room?
Ans: She may be more threatening than she appears because her words suggest she was involved in the two men’s disappearances.
Q5. PART B: Which of the following details from the text best support the answer to Part A?
Ans: “‘Left?’ she said, arching her brows. ‘But my dear boy, he never left. He’s still here. Mr. Temple is also here.’” (Paragraph 82)
Q6. How do the reader’s and Billy’s contrasting points of view affect the text?
Ans: The Readers look at a bright spectacle of the Bed and Breakfast though succeeding it changes into a dilemma. Billy cannot resemble to turn away and pull the bell without believing in one view and thus the reader’s sense that foreshadowing is catching them added to the story.
Q7. How does the shift in the physical description of the landlady throughout the passage impact the story’s meaning?
Ans: Throughout the passage, the shift in the physical description of the landlady does impact the story’s meaning. At first, when you hear what the landlady looks like, you’ll think that she’s not at all “wrong in the head”, but as you progress through the story, the landlady morphs into a detrimental woman. When Billy sees the landlady at the start, he thinks that she ” looked exactly like the mother of one’s best school-friend welcoming one into the house to stay for the Christmas holidays (29)”. He basically thinks that she’s just a kind woman who won’t do him any harm. Later, “he caught a whiff of a peculiar smell that seemed to emanate26 directly from her person. It was not in the least unpleasant, and it reminded him — well, he wasn’t quite sure what it reminded him of. Pickled walnuts? New leather? Or was it the corridors of a hospital? (78)”. He thought that she was “dotty”, but he didn’t care, nor does he really pay any close attention to how she acted or looked. All he thought was since she invited him to a place to stay for a good amount of money, she was welcoming and inviting, therefore, he assumed that she was innocent and not at all “wrong in the head”. In the beginning, we all thought that this was going to be an innocent story where Billy enters a house and a landlady allows him to stay there. The landlady would mind her own business and be polite and Billy would be safe and just be there for a tiny bit, all happy and everything would be just fine. But no. As the story reveals more, it gets more twisted and dark. The landlady turns out to be purposefully poisoning Billy with tea and probably stuffing him later. All things will turn to a deadly end.
Discussion Questions With Answers
Q8. In this text, Roald Dahl never outright states the landlady’s dark secret or reveals the fate of Billy and the other boys – what is the effect of this? How does it contribute to the suspense of the story?
Ans: The cliffhanger is usually what makes the reader want more, which contributes to how the reader is forced to be in suspense until the author decides to let out the truth which may never happen. This cliffhanger gives the edge to the suspense of the story completely to the fact that it will force the readers to create an image in their head of how things will unfold.
Q9. In the context of the short story, how do people face death? The landlady hints at her sinister intentions throughout the text – do you think Billy should have realized her plans? Was he in denial of his own fate? Cite evidence from this text, your own experience, and other literature, art, or history in your answer.
Ans: In the context of the story deaths are seen but somehow interests and still is terrible for people like how Billy reacted to the old lady’s stuffed parrot in paragraph 98 “It must be most awfully difficult to do a thing like that.” Billy said. I think Billy must be so daft not to see the obvious signs like how the old lady knew that Mr. Temple does not have any blemishes on his body and how his skin is baby smooth, surely enough such a fine young gentleman won’t just show an old lady how soft his skin is or how he does not have anything on his body. How there are only two recent visitors both of which disappeared. Her stuffed parrot and how she said that she stuffs all her pets that passed away. PETS means plural but I don’t remember another pet displayed in the house that was stuffed. How the old lady said that the two boys never left, how they were still in their rooms. Finally, the fact that the rent was so cheap and she said she was waiting for him and that she was picky for her customers should be raising suspicions immediately. That’s how I know that deep down Billy knew but decided that a lovely old lady couldn’t possibly do such a thing.
Q10. In the context of the short story, what can we learn about fate from tragedy? In your opinion, what does this story teach readers about avoiding tragedy? What could Billy have done differently? Cite evidence from this text, your own experience, and other literature, art, or history in your answer.
Ans: We can learn that even the most nice-looking people will have skeletons in their closet, and how you can be the master of your own fate by knowing what not to do and knowing danger when you feel it no matter how cheap it can be. Always be suspicious, and when something seems too good to be true, then it is TOO GOOD to be true. Like how the rent is only five and sixpence a night, INCLUDING BREAKFAST seems too good to be true without a catch like the rooms are dirty and disgusting, this time the old lady (landlady) seems to be a serial killer. Billy could’ve continued walking and not bothering to stop or being super suspicious of the rent that he leaves for a sense of security.
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